It Comes at Night (2017) Full Movie Online, Download, Watch, Stream, Free

It Comes at NightDirected by: Trey Edward Shults
Produced by: David Kaplan, Andrea Roa
Written by: Trey Edward Shults
Starring: Joel Edgerton, Christopher Abbott, Carmen Ejogo, Kelvin Harrison Jr.
Riley Keough
Music by: Brian McOmber
Cinematography: Drew Daniels
Edited by: Trey Edward Shults, Matthew Hannam
Production Company: Animal Kingdom
Distributed by: A24
Release date: June 9, 2017 (United States)
Country: United States
Language: English

 

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It Comes at Night Movie Details

It Comes at Night is a 2017 American psychological horror film written and directed by Trey Edward Shults. It stars Joel Edgerton, Christopher Abbott, Carmen Ejogo, Kelvin Harrison Jr., and Riley Keough. The film had its world premiere at The Overlook Film Festival on April 29, 2017, and is scheduled to be released on June 9, 2017 in the United States by A24. It Comes at Night received critical acclaim upon its release.

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Imagine the end of the world. Now imagine something worse. Award-winning filmmaker Trey Edward Shults follows his incredible debut feature KRISHA with IT COMES AT NIGHT, a horror film following a man (Joel Edgerton) as he learns that the evil stalking his family home may be only a prelude to horrors that come from within. Secure within a desolate home as an unnatural threat terrorizes the world, the tenuous domestic order he has established with his wife and son is put to the ultimate test with the arrival of a desperate young family seeking refuge. Despite the best intentions of both families, paranoia and mistrust boil over as the horrors outside creep ever-closer, awakening something hidden and monstrous within him as he learns that the protection of his family comes at the cost of his soul.

Like a lot of horror movies, “It Comes at Night” opens with a death. An older gentleman, who is clearly very ill, says goodbye to his family and then gets shot in the head before his son-in-law and grandson burn his body. Did I mention they’re all wearing gas masks? From the beginning, confusion and loss reign in a film designed to keep you uncertain and emotionally raw.

Beware this film if you’re afraid of small spaces, because it’s one of the most claustrophobic movies that has come out in a long time. The setting is full of tight spaces and thin hallways, and the use of darkness just makes it feel even smaller. If that wasn’t enough, Drew Daniels’ cinematography amps up the tension tenfold. Daniels packs It Comes At Night with close ups, long takes, and slow camera movements. Even in larger spaces, like outdoors, the audience feels trapped thanks to stellar camerawork.

After a quick discussion with Travis and Sarah, it’s decided that Paul will take Will back to get his wife and son and the three of them will move in with Paul’s family. Both families will leave together, work together and help one another survive. The more people there to protect the home, the safer it’ll be. At least that’s the theory.

A man (Joel Edgerton) learns that the evil stalking his family home may be only a prelude to horrors that come from within. Secure within a desolate home as an unnatural threat terrorizes the world, the tenuous domestic order he has established with his wife and son is put to the ultimate test with the arrival of a desperate young family seeking refuge. Despite the best intentions of both families, paranoia and mistrust boil over as the horrors outside creep ever-closer, awakening something hidden and monstrous within him as he learns that the protection of his family comes at the cost of his soul.

But It Comes At Night is such a personal story, so encapsulated. It’s a tiny tale about one family being torn apart, more by their own actions than anything else. It’s claustrophobic and full of pure dread, a film where no one feels safe and things can get worse at any moment

Working in upstate New York, Texas native Shults gives the rural setting a heart-pounding intensity. Daniels’ camera roves over a winding dirt road with the same foreboding that it conjures within the rustic house where most of the action unfolds. There’s a dreamlike, terrifying beauty to the cramped, lantern-lit nighttime interiors designed by Karen Murphy: the empty attic where Travis can listen unseen, the long nightmare of a corridor, the framed Brueghel (depicting a plague), the omen of a heavy red door. Brian McOmber’s tormented heartbeat of a score heightens the horror every step of the way.

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